I was recently honored to be asked to present a discussion
on how to judge the Out of the Box category at the monthly club print
competitions. I declined.
I realize that I am a worse than lousy camera club member
because I refuse to judge prints. I am unable, or possibly unwilling, to assign
numerical values to aesthetics, originality, impact, technique,
appropriateness, whatever criteria is determined for judging. That is the
reason that I have attempted, not terribly successfully, to start a group to discuss
photographs.I have very seriously considered no longer attending on competition nights. There are several reasons for that. One, unwilling to participate in the judging does make me somewhat uncomfortable in entering prints. Two, I very sincerely believe that the practice is far more detrimental to the participants than it is beneficial.
As I have frequently mentioned camera club competitions and
Internet photography forums homogenize photography by their insistence on rules
and conventions. It creates a ‘follow me’ or ‘do as I do’ attitude rather than
strengthening the insight into photography and enhancing the abilities of the
individual photographers to move beyond clichés. It is nothing that will be
changed. It is nothing that can be changed. I have made efforts on an
individual basis but emphasis on rules, technique for technique sake and the
tendency for people to want to comply or fit in is simply too strong. Any
opposing voice is quickly drowned out. I hope along the way I have imparted some
insight but I have no hope of combating the infectiousness of the illness.
I might as well attempt to persuade an East Coast liberal
Democrat to become a conservative Southern Republican. That would actually be
easier and as I have found even that is unachievable. Or to make a Catholic
into a Baptist of vice versa, or a gay into a straight. All, along with
opposing the conventional impediments of amateur photography, are equally
unattainable goals.
I also do not agree with what the Out of the Box category
has become. Michael Young initially instituted it when he was competition
chairman as a category where the photographer who wanted to move his work or his photographic experimentation well beyond the confines of straight photography could have an opportunity to compete. Michael understood that manipulated, highly manipulated prints, could
not be judged with the same criteria as an unmanipulated print. A highly
manipulated print is nonobjective, allegorical, mystical. It can have a variety
of themes or purposes but its primary purpose is to separate the image from the
presumed reality of the straight photograph. It throws all the rules out the
window to rely on shape, form, lines, color or purely subjective content and
imagination. It can’t be judged on the rule of thirds or impact beyond
emotional impact and therefore stands no chance of being acknowledged when
mixed with the other categories when you attempt to apply the rules created by the
club and promoted by the club for competitions. It rapidly degenerated into
basically another open category or in the case of the past two years where
there is a ‘theme’ another assigned category.
It is no longer an “Out of the Box” if it actually ever was.
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